-
Die Robotisierung der Welt
By Von Niklas Maak, Frankfurter Allgemeine ZeitungDecember 6, 2025 -
Judy Pfaff Is Light Years Ahead of the Curve
By John Yau, HyperallergicDecember 5, 2025 -
Political statements at Art Basel Miami Beach are sparse but strident
By Douglas Markowitz, The Art NewspaperDecember 5, 2025 -
Art Basel Miami Beach, Louvre crisis deepens, Helene Schjerfbeck
The Week in Art Podcast,December 4, 2025 -
Judy Pfaff
By Matt Moment, BOMB MagazineDecember 1, 2025 -
An Oral History Project: Excerpt with Dread Scott
By Rujeko Hockley, BOMB MagazineNovember 28, 2025 -
Portfolio: Dread Scott
ArtforumNovember 25, 2025 -
»Die en Mensch haben Angst«
By Claudia Bodin, Art - das KunstmagazinNovember 25, 2025 -
25 Native American Artists to Know
By Petala Ironcloud, ARTnewsNovember 21, 2025 -
Artists Across the U.S. Are Staging Hundreds of Events to Protest Authoritarianism
By Helen Stoilas, ArtnetNovember 20, 2025 -
Autunno d’arte a New York: cinque mostre da non perdere a SoHo
By Francesca Magnani, ExibartNovember 6, 2025 -
Judy Pfaff: Light Years
By David Ebony, The Brooklyn RailNovember 1, 2025 -
Joan Linder’s Station Artwork
By Nancy J. Parisi, Buffalo SpreeOctober 27, 2025 -
How Renegade Sculptor Judy Pfaff Made a Career Breaking the Rules
By Maxwell Rabb, ArtsyOctober 21, 2025 -
Emory archive collection keeps Dracula among the living
By Paul Milliken, Fox 5 AtlantaOctober 15, 2025 -
Artists Plan Nationwide Protests Against ‘Authoritarian Forces’
By Zachary Small, The New York TimesOctober 14, 2025 -
Fifteen
By Josephine Zarkovich, The Brooklyn RailSeptember 30, 2025 -
Art and Pro Wrestling Collide in a Major Florida Exhibition
By Richard Whiddington, ArtnetSeptember 26, 2025 -
Cristin Tierney Marks 15 Years With a Bold Move to Tribeca: ‘There Is Strength in Numbers’
By Annikka Olsen, ArtnetSeptember 12, 2025 -
The Art of Type: Living exhibit showcases ‘striking’ impact of typewriters
By Kate Sweeney, Emory University NewsSeptember 10, 2025 -
New digs, same soul: Cristin Tierney Gallery reimagined in Tribeca
By Bob Krasner, AM NYSeptember 10, 2025 -
With the Art Market in Flux, Some Galleries Are Closing; This One is On the Move
By Daniel Cassady, ARTnewsSeptember 9, 2025 -
NY Armory Week Shows 2025: Men and Women in Love
By Jan Garden Castro, Whitehot MagazineSeptember 6, 2025 -
Forgotten Histories and Fresh Narratives Emerge at Independent 20th Century
By Sarah Cascone, ArtnetSeptember 5, 2025 -
Discovering Surprises Among the Familiar at the Independent 20th Century
By Martha Schwendener, The New York TimesSeptember 4, 2025 -
'It's exciting': Newly renovated DL&W Station opening soon in downtown Buffalo
By Michael Schwartz, ABC 7 News WKBWSeptember 2, 2025 -
The Armory Show and Openings Everywhere: New York This Week
By XY Zhou, OculaSeptember 2, 2025 -
Independent 20th Century Returns to New York with Avant-Garde Exhibitions at Casa Cipriani
By Erica Silverman, Whitewall MagazineSeptember 2, 2025 -
Timely rediscoveries await at Independent 20th Century
By Osman Can Yerebakan, The Art NewspaperSeptember 2, 2025 -
Fall's Fair Harvest
By Kathleen Cullen, Art & ObjectSeptember 1, 2025 -
Your Guide to NYC’s Fall Art Fairs
By Isa Farfan and Maya Pontone, HyperallergicAugust 28, 2025 -
‘Collection, Reframed’ turns art into new senses
By Lawrence Toppman, The Charlotte LedgerAugust 27, 2025 -
10 Standout Shows to See during Armory Week 2025
By Annabel Keenan, ArtsyAugust 27, 2025 -
A New Ringling Exhibit Features the Work of Nine Native American Women Artists
Sarasota MagazineAugust 19, 2025 -
Perrera Arte y tres décadas de resistencia cultural
By Samuel Toro, BioBioChileAugust 7, 2025 -
In the Studio with Judy Pfaff
By Julie Baumgardner, Independent 20th CenturyAugust 7, 2025 -
Dread Scott’s New T-Shirt Is a Wearable Protest Against Censorship
By Brian Boucher, ArtnetAugust 1, 2025 -
What Happened When Their Art Was Banned
By Nick Haramis, The New York TimesJuly 31, 2025 -
Bechtler Museum’s Summer Exhibition Series
By Alicia Quarles, Queen City NewsJuly 24, 2025 -
Art Basel Miami Beach Announces Exhibitor List for 2025
Eileen Kinsella, ArtnetJuly 23, 2025 -
What if you could hear a Picasso? New Charlotte museum exhibit expands inclusion
By Amy Carleton, Charlotte ObserverJuly 16, 2025 -
In “Spatial Poems,” You Are Part Of The Art
By Alicia Chesser, The PickupJuly 11, 2025 -
Independent 20th Century Names 30 Exhibitors for 2025 Edition in September
By Maximilíano Durón, ArtnewsJuly 10, 2025 -
The Art of “Anonymous Was a Woman”
By Barbara A. MacAdam, Art & ObjectJuly 7, 2025 -
20 Extraordinary Experiences Open Now & Coming Soon: July 2025
By Lucy Shaw, World Experience OrganizationJuly 1, 2025 -
The Bechtler Museum’s ‘Collection, Reframed’ exhibition reimagines how art is experienced by turning visual pieces into immersive soundscapes
By Page Leggett, The Charlotte LedgerJune 30, 2025 -
New Britain exhibit features Joe Fig capturing people entranced by Dutch painter Vermeer
By Tracey O’Shaughnessy, New Haven RegisterJune 28, 2025 -
Joe Fig on WFSB 3's Great Day @9: The New Britain Museum of American Art
WFSB | Eyewitness News 3June 23, 2025 -
Immersion in Spatial Poems
By Alexandra Bohannon, LuxiereJune 18, 2025 -
Joe Fig unveils new works inspired by Vermeer exhibition
By Claudia S. Hilario, New Britain HeraldJune 6, 2025 -
Joe Fig: Contemplating Vermeer art exhibit opens Friday at New Britain museum
By Tracey O’Shaughnessy, CT InsiderJune 5, 2025 -
Ready for Their Reboot: How Galleries Plumb Art History’s Forgotten Talent
By Julia Halperin, The New York TimesJune 4, 2025 -
Bechtler Museum of Modern Art reimagines its collection with immersive exhibition
By Deeandra Michel, WCCB Charlotte CWMay 28, 2025 -
Compassionately Fierce: Artist Sara Siestreem confronts viewers through comforting beauty
By Daniel O’Neil, 1859 Oregon's MagazineMay 16, 2025 -
Frieze New York Diary: sparring artists are boxing clever, Whitney gets set for almighty dick pic, and Bates mansion is reincarnated
The Art NewspaperMay 9, 2025 -
Global Transmissions
By Delinda Collier, ArtforumMay 1, 2025 -
Diane Burko - Cristin Tierney
By Donald Kuspit, ArtforumApril 30, 2025 -
Artwalk - Apropos of Everything and Then Some: David Opdyke Redux
By Lawrence Weschler, WondercabinetApril 24, 2025 -
He types. He reads. He doesn’t sleep. And it’s all for legendary Jewish St. Louis author, Stanley Elkin
By Jordan Palmer, St Louis Jewish LightApril 21, 2025 -
Novel approach: Performance artist types Elkin’s "The Dick Gibson Show" live on KWUR
By Diane Toroian Keaggy, The Source - WashUApril 12, 2025 -
Dallas Art Fair offers first test of collectors’ appetites amid Trump’s trade war
By Carlie Porterfield, The Art NewspaperApril 11, 2025 -
Dallas’ Art Fairs Open With Slow-Burn Sales and Museum Acquisitions That Signal Regional Potential
By Elisa Carollo, ObserverApril 11, 2025 -
This Organization Has Added Legions of Women to Art History, and Now There’s a Show to Prove it
By Alex Greenberger, ARTnewsApril 3, 2025 -
Ten Southwest Florida museums curating 25 visual art exhibitions in April
By Tom Hall, WGCU PBS / NPRApril 2, 2025 -
15 Native American Women Artists to Know
By Petala Ironcloud, ARTnewsMarch 31, 2025 -
Diane Burko
By Brainard Carey, Yale UniversityMarch 27, 2025 -
Claudia Bitrán on Titanic, a deep emotion
Interview with Tim Maerschand, Kuleshov, Urgent.fmMarch 26, 2025 -
Talking a Big Game: The Art of Sports and the Sport of Art
By Hrag Vartanian, HyperallergicMarch 25, 2025 -
Cristin Tierney Gallery takes the ground floor at 49 Walker
Tribeca CitizenMarch 25, 2025 -
David Opdyke: Waiting for the Future
By Eugenia Mosquera, Musée MagazineMarch 24, 2025 -
Vintage Postcard Paintings by David Opdyke Demonstrate an Ecological Future in Peril
By Kate Mothes, Colossal MagazineMarch 19, 2025 -
Never Mind the Tariffs. Mexico City’s Art Scene Is Thriving—And Growing
By Brian Boucher, ArtnetMarch 9, 2025 -
Southwest Florida's museums displaying 18 visual art exhibitions during March
By Tom Hall, WGCU / NPRMarch 4, 2025 -
Diane Burko: Bearing Witness
By Noah Becker, Whitehot MagaizneMarch 1, 2025 -
The Art of Observation with Joe Fig
By Kelley Marcellus, Florida DesignFebruary 23, 2025 -
Diane Burko: Bearing Witness at Cristin Tierney
By Etty Yaniv, Art SpielFebruary 21, 2025 -
Tariff anxieties are no match for buoyant mood at Mexico City’s Zona Maco
By Benjamin Sutton, The Art NewspaperFebruary 6, 2025 -
Tate Britain: The 80s: Photographing Britain, a fresh look at Thatcher’s Britain
By Zoé Isle de Beauchaine, The Eye of PhotographyJanuary 30, 2025 -
The Hirshhorn just got a whole lot cooler: 175 new reasons to visit the museum
By Samantha Gilstrap, WUSA9January 29, 2025 -
Sarasota Art Museum Paintings Exhibit Puts The Focus On The Viewers
By Monica Roman Gagnier, Your ObserverJanuary 29, 2025 -
'Contemplating Vermeer': Sarasota Museum of Art exhibition highlights experiencing art
By Barry Wong, Fox 13 NewsJanuary 22, 2025 -
Norton’s "Strike Fast" a lyrical look at the sweet science
By Jan Engoren, Palm Beach ArtspaperJanuary 20, 2025 -
Maureen O'Leary at Untitled
By David Jager, Whitehot MagazineJanuary 18, 2025 -
Primordial Forces, Earth Energies, and a Vision of a Universal Soul: Rediscovering The Art of Audra Skuodas
By Edward M. Gómez, Brut JournalJanuary 16, 2025 -
World renowned Bristol artists John Wood and Paul Harrison win Temple Quarter Enterprise Campus public art commission
By Sarski Anderson, Bristol 24/7January 15, 2025 -
Artist Joe Fig Paints Viewers Looking at Paintings by Johannes Vermeer
By Kay Kipling, Sarasota MagazineJanuary 15, 2025 -
Climate Art Beat: Winter Calendar 2025
Honoring The FutureJanuary 13, 2025 -
Sarasota Art Museum looks at the art of looking at art
By Marty Fugate, Herald-TribuneJanuary 3, 2025 -
One Fine Show: "Strike Fast, Dance Lightly" at the Norton Museum of Art
By Dan Duray, ObserverJanuary 2, 2025 -
Opinion: Cultural nonprofits are the unsung stewards of NYC
By Shaun Leonardo and Katie Dixon, New York Nonprofit MediaDecember 30, 2024 -
New art coming to St. Albert’s Red Willow trail system, BMX park
By Craig Gilbert, St. Albert GazetteDecember 29, 2024 -
Internationally acclaimed artists commissioned to create permanent artwork for University’s new campus
University of BristolDecember 19, 2024 -
Everybody Needs Everybody: How “Project a Black Planet,” the Groundbreaking Exhibition at the Art Institute, Expresses Our Need for Collectivity
By Alison Cuddy, New City ArtDecember 11, 2024 -
Here is the coolest art we have seen during Miami Art Week (and how much it costs)
By Jane Wooldridge, Miami HeraldDecember 7, 2024 -
Untitled Art Miami Beach 2024 Review: Serious Fun
By Brian P. Kelly, Wall Street JournalDecember 6, 2024 -
5 to see at Untitled Miami Beach 2024
By Will Hainsworth, FAD MagazineDecember 6, 2024 -
The 10 Best Booths at Untitled Art, Miami Beach 2024
By Maxwell Rabb, ArtsyDecember 4, 2024 -
Performative space: MK Guth Interviewed
By Danica Sachs, Variable WestDecember 1, 2024 -
Rarely Seen Work from the Estate of Audra Skuodas Make New York Return
By Annikka Olsen, ArtnetNovember 20, 2024 -
Painter Immortalizes the Crowds at Rijksmusem’s Sold-Out Vermeer Show
By Rhea Nayyar, HyperallergicNovember 18, 2024 -
NFL Highlights BIPOC Talent Through Artist Replay Program, Miami Art Week Showcase
By Shawn Grant, The SourceNovember 6, 2024 -
Sarasota Art Museum's "Contemplating Vermeer" exhibit shows viewers looking at art
By Tom Hall, WGCU - PBS/NPRNovember 2, 2024 -
Tate exhibition celebrates a riotous decade in British photography
By Simon Bainbridge, The Art NewspaperNovember 1, 2024 -
Connecting Sports and Art in an Eclectic Mix
By Michael Janofsky, The New York TimesOctober 26, 2024 -
Julian Gaines Is Bringing Jet Magazine to the Museum
By Matthew Trueherz, Portland MonthlyOctober 21, 2024 -
The 135 Top Art World Professionals
By The Editors of ARTnewsOctober 21, 2024 -
Draw Sports Fans to an Art Museum? That’s the Goal.
By Emmanuel Morgan, The New York TimesOctober 18, 2024 -
Sara Siestreem (Hanis Coos) “milk and honey” Cristin Tierney Gallery / New York
By Petala Ironcloud, Flash ArtOctober 17, 2024 -
Perfect. "Immersed in a Limitless World"
By Rachel Hutcheson, Millennium Film JournalOctober 14, 2024 -
A bit of science fiction, realism in concurrent exhibits by UB art professors
By Vicky Santos, Graduate News - The University at BuffaloOctober 8, 2024 -
Sara Siestreem (Hanis Coos): milk and honey
By Farren Fei Yuan, The Brooklyn RailOctober 8, 2024 -
Flag Waving and Flag Burning in Kamala Harris’s America
By Doreen St. Félix, The New YorkerOctober 5, 2024 -
Adrian Piper, Kiyan Williams, and Other Artists Pick One Work of Political Art That Sticks With Them
By Julia Halperin, CULTUREDOctober 3, 2024 -
Season Preview
By Dylan Campbell and Phil Lederer, SRQ MagazineOctober 1, 2024 -
Portland-Based Artist Selected for NFL Replay Program
The Portland ObserverSeptember 25, 2024 -
Portland-Based Artist Selected for NFL’s 2024 Artist Replay Initiative Spotlighting Diverse and Emerging Artists
The Skanner NewsSeptember 25, 2024 -
Contra Naturam at the ICEHOUSE Project Space
By Barbara Pollack, Snap ShotSeptember 19, 2024 -
Tim Youd's Quest to Read Closely by Retyping 100 Novels
By Colleen Smith, Fine Books and CollectionsSeptember 14, 2024 -
Beauty in Catharsis: Jorge Tacla, Chilean Artist Based in New York
Mosso LifeSeptember 10, 2024 -
10 Art Shows to See in New York Right Now
By Hrag Vartanian [and Natalie Haddad], HyperallergicSeptember 10, 2024 -
Gangs of New York
By Marion Maneker, Puck NewsSeptember 8, 2024 -
A Truck Full of Art on Bodily Autonomy Hits the Road for a Nationwide Tour
By Sarah Cascone, Artnet NewsSeptember 6, 2024 -
Market Uncertainty Didn’t Dampen Sales at This Year’s Armory Show
By Aaron Short, HyperallergicSeptember 6, 2024 -
Picasso Prints and Brazilian Brilliance at the Independent
By Will Heinrich, The New York TimesSeptember 5, 2024 -
The Armory Show Reveals Core Details For Its 30th Anniversary Edition
By Suzanna Bowling, Times Square ChroniclesSeptember 3, 2024 -
Smithsonian Museum Showcases African American Art in New Publication, Exhibition
The Washington InformerSeptember 3, 2024 -
10 Must-See Gallery Exhibitions during Armory Week 2024
By Annabel Keenan, ArtsySeptember 3, 2024 -
Must-See New York Exhibitions
By Erica Silverman, WhitewallSeptember 3, 2024 -
Women Artists Will Star at Independent 20th Century’s New York Fair
By Abby Schultz, Barron's PENTASeptember 3, 2024 -
Skyway at The Tampa Museum of Art
By Tom Winchester, Creative PinellasAugust 26, 2024 -
milk and honey
Meer MagazineAugust 14, 2024 -
PRESENTATION: Joan Linder- Fulfillment
By Dimitris Lempesis, Dream Idea MachineAugust 8, 2024 -
Joan Linder ’96 Unveils Solo Show 'Fulfillment' at Cristin Tierney
By Carlos Barragán, Columbia University School of the Arts: NewsAugust 5, 2024 -
8 Shows to See in Upstate New York This August
By Taliesin Thomas, HyperallergicJuly 31, 2024 -
Joan Linder Unboxes Truth and Consequences of Crypto-Mining in “Fulfillment” at Cristin Tierney
By Stephen Wozniak, ObserverJuly 30, 2024 -
How to Gain Citizenship in Pan-African Utopia — Tschabalala Self in Conversation with Dread Scott
By Tschabalala Self, Elephant MagazineJuly 27, 2024 -
What I’m Looking At: Museum-Quality Malcolm Morley, Borna Sammak’s Beautiful Scenesters, and More
By Ben Davis, Artnet NewsJuly 25, 2024 -
Tim Youd transforms literature into art at Atlanta Contemporary
By Deanna Sirlin, Arts ATLJuly 23, 2024 -
34 Malia Jensen: [Sculpture] Imprint
By Sasha LaPointe, All Classical RadioJuly 22, 2024 -
Joan Linder Probes Into the "Fulfillment" of Society’s Digital Compulsions
By Shawn Ghassemitari, HypebeastJuly 18, 2024 -
The land, burning
By Annemarie Schuetz, River ReporterJuly 16, 2024 -
What to See at This Year’s Upstate Art Weekend
By Elisa Carollo, ObserverJuly 15, 2024 -
Tim Youd retypes novels live at the Atlanta Contemporary
City Lights with Louis Reitzes, WABE Podcast/NPRJuly 11, 2024 -
Vol 114, No 2, Summer 2024
The Poetry ReviewJune 28, 2024 -
The Floating Gallery presents ‘Out of Paradise’
By Abby Remer, MV TimesJune 27, 2024 -
ARTWALK: Joan Linder opens her Fulfillment show at the Cristin Tierney Gallery on the Bowery in New York
By Lawrence Weschler, WondercabinetJune 27, 2024 -
Pioneering video art on exhibit at CAS
River ReporterJune 26, 2024 -
Behind the scenes of the All African People’s Consulate: a talk with curator Paul Bright
By Ilenia Repic, follow.artJune 26, 2024 -
At The Galleries
By Karen Wilkin, The Hudson ReviewMay 15, 2024 -
The Artist Who Burned the U.S. Flag Raises a New One in Venice
By Zachary Small, The New York TimesMay 1, 2024 -
There Are a Ton of Shows to See Around the Venice Biennale—Here’s Our Take on What’s Worth Seeing (and What’s Not)
By Margaret Carrigan, Artnet NewsApril 19, 2024 -
Debbi Kenote
By Brainard Carey, Yale UniversityApril 17, 2024 -
Globalisto | A Philosophy in Flux, Acts of an Imbizo
By Palmer Dean, Flaunt MagazineApril 17, 2024 -
Amid a sea of paintings and sculptures, Tim Youd makes ‘noisy art’ at EXPO Chicago
By Stefano Esposito, Chicago Sun TimesApril 12, 2024 -
10 Shows to See in Venice During the Biennale
By Alex Greenberger, Art NewsApril 11, 2024 -
Desastre y fantasía para generar una convivencia en el tiempo
Por Matías Allende Contador, Artishock RevistaApril 8, 2024 -
6 Standout Artists Discovered at the Dallas Art Fair
By Paul Laster, Galerie MagazineApril 8, 2024 -
Eavesdropping at the Dallas Art Fair
By Angella d'Avignon, HyperallergicApril 5, 2024 -
Maureen O’Leary at Dallas Art Fair
By Vittoria Benzine, FAD MagazineApril 5, 2024 -
«Une écologie des images» au cœur de l’Histoire
Par Neema Vitali, Art CritiqueApril 3, 2024 -
Collateral Events Not to Miss During the Venice Biennale 2024
By Eli Anapur, Widewalls MagazineMarch 18, 2024 -
Does Portland Need a Soho House? (Does It Even Want One?)
By Callie Holtermann, The New York TimesMarch 14, 2024 -
Belly: Paintings by Joan Linder at Rivalry Projects
By Axel Bishop, Whitehot MagazineMarch 2, 2024 -
peter campus: myoptiks
By Chris Meigh-Andrews, Art MonthlyMarch 1, 2024 -
What to See in N.Y.C. Galleries in March
By Holland Cotter, The New York TimesFebruary 28, 2024 -
Local artist tackles objectification of women: ‘What if I objectified men?’
Joan Linder’s exhibit, “Belly,” depicts male bodies with “different shapes”Mylien Lai, The Spectrum, February 26, 2024 -
Debbi Kenote and Mark Sengbusch. Cross Cut.
Meer MagazineFebruary 16, 2024 -
Exposición “Teoría para una Nueva Geografía” en Panguipulli
Cultura, El MostradorFebruary 15, 2024 -
Se inaugura en la Galería Emian del Teatro Educativo de Panguipulli instalación de colectivo local y el reconocido artista chileno, Jorge Tacla
Por Sergio Parades, Panguipulli NoticiasFebruary 14, 2024 -
Janet Biggs' newest exhibit takes viewers on an Arctic expedition
By Dayna Roberts, The Daily OrangeFebruary 13, 2024 -
Imagination and Desire in a Northern Landscape: An Artistic Plea for the Arctic
By María Alejandra Trujillo, BNN BreakingFebruary 13, 2024 -
Mary Lucier: Leaving Earth
By Hearne Pardee, The Brooklyn RailFebruary 13, 2024 -
Going About Daily Life while Learning of Relentless Horrors through Screens
By Emily Watlington, Art in AmericaFebruary 12, 2024 -
20 Years of ZⓈONAMACO: Elephant’s Highlights from the Anniversary Edition
By Amber Smith, Elephant MagazineFebruary 9, 2024 -
10 Highlights from Zona Maco in Mexico City
By Paul Laster, Art & ObjectFebruary 9, 2024 -
Commemorating Two Decades of Mexico City's Art Week's Soaring Popularity
By Angelika Pokovba, CoveteurFebruary 7, 2024 -
De Nueva York a Chile: el artista Jorge Tacla junto a artesanos y artesanas de Panguipulli inauguran en el Teatro Educativo de las Artes
Por Maria Josè Torres, La HoraFebruary 6, 2024 -
New eco-conscious exhibit coming to The Everson
Janet Biggs on Bridget Street – 9 ABC / localsyr.comErik Columbia, January 31, 2024 -
The Divisive Dread Scott Artwork George Bush Called “Disgraceful”
By Poppy Burton, Far Out MagazineJanuary 20, 2024 -
Houston Ballet II Joins Team of Renowned Artists for Can We Know the Sound of Forgiveness
By Nancy Wozny, Pointe MagazineJanuary 19, 2024 -
Ways of Seeing, Ways of Being: Art in Three Dimensions
By Stephen Wozniak, ObserverJanuary 11, 2024 -
Kaleidoscopic exhibit evokes Hurricane Ian and a life of upheaval
By Monica Roman Gagnier, ObserverJanuary 10, 2024 -
Exciting Exhibit at Everson Museum
WWNYTVCraig Thornton, January 2, 2024 -
The Top 10 Exhibitions to See in January 2024
ArtReviewJanuary 2, 2024 -
Explore 7 Artworks by Native American Artists From the Artnet Gallery Network
Artnet, December 26, 2023 -
How peter campus Changed the Video Art Game
Julia Curl, Hyperallergic, December 10, 2023 -
Artist Judy Pfaff creates major installation that captures power of Hurricane Ian
By Jay Handelman, Sarasota Herald-TribuneNovember 17, 2023 -
Victor Burgin au Jeu de Paume: l’énigme du “ça”
Par Alexandre Jadin, Philosophe MagazineNovember 17, 2023 -
David Opdyke
by Louis Bury, BOMB MagazineNovember 15, 2023 -
Artists express societal and global concerns through unconventional media
Anusha Bhargava, The Ithaca, November 1, 2023 -
Altered states: Contemporary Calgary exhibit asks deep questions about how we process art, time, space and reality
Eric Volmers, Calgary HeraldOctober 20, 2023 -
Jennifer Marman & Daniel Borins | Three Dimensions
Galleries WestOctober 19, 2023 -
Three Dimensions at Contemporary Calgary encourages viewers to become one with art
Aryn Toombs, Livewire CalgaryOctober 19, 2023 -
This New Contemporary Calgary Exhibition Features a Giant Claw Crane Game
Alana Willerton, Avenue Magazine: CalgaryOctober 18, 2023 -
Joe Fig: Contemplating Compositions
The Arts Intel Report, Air MailOctober 10, 2023 -
For Its Second Edition, Paris’s Offscreen Art Fair Returns at an Unexpected Venue—an Empty Brutalist Parking Garage
Artnet Gallery NetworkOctober 10, 2023 -
Joe Fig’s cagey meta paintings
David Carrier, Two Coats of PaintOctober 10, 2023 -
The Culture Pages: To Do -> Twenty-five things to see, hear, watch, and read
Jerry Saltz, New York MagazineOctober 9, 2023 -
Joe Fig: Contemplating Compositions
Barbara A. MacAdam, The Brooklyn RailOctober 4, 2023 -
Converge 45 Biennial: Social Forms: Art as Global Citizenship
Tess Bilhartz, The Brooklyn RailOctober 3, 2023 -
Dread Scott - Revolution, Evolution, Resolution...
Interview with Nick Byrne for King Kong Magazine, Vol. 16October 1, 2023 -
Maureen O’Leary: By the same sea, homes of the Irish diaspora
Verity Babbs, The BS Report: Independent Art JournalismSeptember 28, 2023 -
Art meets ecology in One World Café
Sai Sasidhar Vemavarapu, UBNow, September 22, 2023 -
Painter and sculptor Joe Fig on the importance of seeing
Alexa Donovan, Washington Square News, September 18, 2023 -
10 Standout Gallery Exhibitions to See during Armory Week 2023
Annabel Keenan, Artsy, September 4, 2023 -
Converge 45 Biennial: Social Forms: Art as Global Citizenship
By Tess Bilhartz, The Brooklyn RailSeptember 1, 2023 -
VizArts Monthly: Conversing and converging
Jason N. Le, VizArts, August 29, 2023 -
Debbi Kenote Artist Spotlight
LiquitexAugust 22, 2023 -
Joe Fig: Contemplating Compositons
Meer Magazine, August 22, 2023 -
Exhibition Explores Connection Between Contemporary Art and History of Black Writing
Jon Niccum, Today News: The University of KentuckyAugust 17, 2023 -
Social Forms: Art as Global Citizenship
Friderike Heuer, Oregon Artswatch, August 7, 2023 -
Art can move us powerfully towards civic activism on climate
By Miranda Massie, The GuardianJuly 31, 2023 -
Balancing Act: The User-Friendly Industriart of Marman and Borins at Cristin Tierney Gallery in NYC
Stephen Wozniak, WhiteHot Magazine, July 28, 2023 -
Climate Art Makes Research Data Seem More Relevant, Even Across Political Divides
By Eva Amsen, ForbesJuly 20, 2023 -
Philly exhibit highlights how art can move the needle in public perception of climate change
By Peter Crimmins, WHYY, PBS / NPRJuly 14, 2023 -
Jennifer Marman & Daniel Borins: Balancing Act
Clare Gemima, The Brooklyn Rail, July 8, 2023 -
Integrating Message and Method
Steven Heller, The Daily Heller, July 7, 2023 -
Six Times Right-Wing Groups Went After Artists
Elaine Velie and Rhea Nayyar, Hyperallergic, July 5, 2023 -
Engagement and Agency: A Conversation with Jennifer Marman and Daniel Borins
Ray Cronin, Sculpture, July 5, 2023 -
"Balancing Act": New interactive art installation opens in Manhattan
Roger Clark, Spectrum News NY1, June 26, 2023 -
DREAD SCOTT | “GODDAM”
Simran Tuteja, Musée Magazine, June 21, 2023 -
How Long Must We Sing This Song?
Hakim Bishara, Hyperallergic, June 16, 2023 -
Can Art Change Attitudes Toward Climate Change?
By Elaine Velie, HyperallergicJune 12, 2023 -
Painting on the Edge with Debbi Kenote
By Phinn Jennings, Rise ArtJune 12, 2023 -
“Balancing Act” by Jennifer Marman and Daniel Borins @ Cristin Tierney Gallery
FAD Magazine, June 12, 2023 -
Jennifer Marman and Daniel Borins. Balancing Act
Meer, June 12, 2023 -
"Balancing Act" by artists Jennifer Marman and Daniel Borins now on view at Cristin Tierney Gallery
ArtDaily, June 9, 2023 -
Artists’ depictions of climate data can cut through politicisation of science, study finds
By Claire Voon, The Art NewspaperJune 5, 2023 -
Puzzling together paintings and stars with Debbi Kenote
By Nina Seidel, Suboart MagazineJune 4, 2023 -
“Red, White, Yellow and Black: 1972–73”
Kaegan Sparks, Artforum, June 1, 2023 -
Dread Scott: Goddam
Ann C. Collins, The Brooklyn Rail, May 31, 2023 -
Janet Biggs turns the exploration of far-flung places into a call for climate action
HENI News, May 3, 2023 -
Art Out: Dread Scott
Musée Magazine, April 28, 2023 -
Dread Scott’s Visual Ballad to Nina Simone
Air Mail News, April 28, 2023 -
Seven Artists Win Coveted Rome Prize, Including Dread Scott and Nao Bustamante
Maximiliano Durón, ARTnews, April 24, 2023 -
‘The arts make us see possibilities that nothing else does’: Inside America’s first climate museum
By Louise Boyle, The IndependentApril 20, 2023 -
“Red, White, Yellow, and Black: 1972-73” at The Kitchen at Westbeth, New York
Mousse Magazine, April 4, 2023 -
Video Landscapes at Valletta Contemporary
Jozef Cseres, Profil 3, April 1, 2023 -
Red, White, Yellow, and Black: 1972-73
Cassie Packard, The Brooklyn Rail, April 1, 2023 -
peter campus: meditations
Hearne Pardee, The Brooklyn Rail, April 1, 2023 -
peter campus: meditations
Rebecca Shiffman, The Brooklyn Rail, April 1, 2023 -
What Would Ben Franklin Say? Artists Weigh the Dream of Democracy
Hilarie M. Sheets, The New York Times, March 23, 2023 -
Museum of Nonvisible Art Interview: Victor Burgin
Brainard Carey, Yale University, March 15, 2023 -
This Wikileaks and a/political Show Exposes Dark Truths of Modern Politics
Thom Waite, Dazed, March 10, 2023 -
Dread Scott’s Visual Ballad to Nina Simone
Briana Ellis-Gibbs, Hyperallergic, March 8, 2023 -
Red, White, Yellow, and Black: 1972-73
Wyatt Allgeier, Gagosian Quarterly, March 1, 2023 -
Victor Burgin: Photopath
James Welling, The Brooklyn Rail, March 1, 2023 -
Artist Spotlight: Debbi Kenote
BooooooomFebruary 16, 2023 -
Victor Burgin: Photopath at Cristin Tierney
Loring Knoblauch, Collector Daily, February 14, 2023 -
Exhibition Review: Victor Burgin | Photopath
Wenjie (Demi) Zhao, Musée Magazine, February 14, 2023 -
Critics' Picks: Victor Burgin at Cristin Tierney
Zack Hatfield, Artforum, February 8, 2023 -
Victor Burgin: Photopath
Hearne Pardee, The Brooklyn Rail, February 6, 2023 -
Victor Burgin’s ‘Photopath’ Unlocked Multi-Dimensionality in Photography 50 Years Ago
Taylor Dafoe, Artnet News, January 23, 2023 -
On Bearing Witness and Embracing Beauty
By Susan Hoffman Fishman, Art SpielJanuary 10, 2023 -
Interview: Victor Burgin Revisits Photopath
Lyle Rexer, Photograph, January 3, 2023 -
Battling oppression with capitalist ‘blood money’: Radical artist Dread Scott spreads revolutionary message at CWRU-Clev
Steven Litt, Cleveland.com, December 23, 2022 -
Artist Joe Fig Blends Photography, Painting, Sculpture in Show at Dayton Art Institute
Meredith Moss, Dayton Daily News, December 11, 2022 -
A Show of Quiet Dissidence
Holland Cotter, The New York Times, December 8, 2022 -
Art Basel Miami Beach 2022
Whitewaller, November 28, 2022 -
Miami Artist Billboard Project Puts Justice in the Spotlight
Torey Akers, The Art Newspaper, November 28, 2022 -
Video Visionaries Create New Ways of Seeing in Sarasota Art Museum Exhibit
Marty Fugate, Herald-Tribune, November 18, 2022 -
The 2022 ADAA Art Show Is Back at New York’s Park Avenue Armory
Shawn Ghassemitari, HypeBeast | HypeArt, November 4, 2022 -
Roaming climate change museum pops up in New York—and sets sights on a permanent space
By Annabel Keenan, The Art NewspaperNovember 3, 2022 -
A Fair Where the Art Shines (Grandstanding Not Required)
Martha Schwendener, The New York Times, November 3, 2022 -
Journeys to Places Known and Unknown
Dylan Campbell, SRQ Magazine, October 24, 2022 -
Scenes of Unrest: Jorge Tacla at Cristin Tierney
Ara H. Merjian, Art in America, October 20, 2022 -
Jorge Tacla: Stagings/Escenarios
Lilly Wei, Studio International, October 19, 2022 -
Frieze Sculpture Presents a Bevy of Public Art, From Brightly Colored Sun Dials to Humorous Banal Signage
Elizabeth Fullerton, ARTnews, October 10, 2022 -
This Fall, London Is Awash in Sculpture
Susanne Fowler, The New York Times, October 9, 2022 -
The Climate Museum starts pop-up series in SoHo, continues search for permanent home
By Rosemary Misdary, Gothamist / WNYC RadioOctober 8, 2022 -
Art in the Digital Age: Highlights at Frieze London & Frieze Masters 2022
Frieze, October 3, 2022 -
5 Must-See Fall Visual Art Exhibits Coming to the Sarasota Area
Marty Fugate, Herald-Tribune, September 22, 2022 -
Fall Arts Preview 2022: Gallery Shows You Won’t Want to Miss
Erin Taylor, The Observer, September 17, 2022 -
Imagining the Seventies
Emily Balsom, National Left Review: Sidecar, September 14, 2022 -
Standouts at Armory’s Focus 2022: “Landscape Undone”
Art & Object, September 9, 2022 -
Collectors Were Decisive at the VIP Opening of the Armory Show, With Early Six-Figure Sales and a Focus on Latinx Art
EIleen Kinsella, Artnet News, September 9, 2022 -
The Artists Taking on Mass Incarceration
Adam Bradley, T The New York Times Magazine, August 11, 2022 -
Overlooked for decades, the spiritual and surreal paintings of Audra Skuodas make a star turn in Cleveland’s Front triennial
By Claire Voon, The Art NewspaperAugust 10, 2022 -
3 Questions with Artist Dread Scott
Alex de Vore, Santa Fe Reporter, August 3, 2022 -
13 Standouts at Cleveland’s Front Triennial, From a Healing Fountain to a Functional Barricade Made of Artworks
By Alex Greenberger, ARTnewsJuly 20, 2022 -
Editors’ Picks: 12 Events for Your Art Calendar This Week
Sarah Cascone, Artnet News, July 19, 2022 -
Salt Lick Sculptures Are at the Center of a New Permanent Exhibit at the Portland Art Museum
Jay Horton, Willamette Week, July 13, 2022 -
Los archivos de Jorge Tacla
Ignacio Szmulewicz R., La Panera, July 11, 2022 -
Ways of Reading: On the Road with Tim Youd's 100 Novels Project
Tulsa Kinney, Artillery Magazine, July 1, 2022 -
McEwen Building Welcomes New Art Installation
Schulich School of BusinessJune 27, 2022 -
'Surface: Skin & Scab—Porous Virality:' An Interview with Claudia Bitrán
Rebecca Shapass, Mai: Feminism & Visual Culture, June 25, 2022 -
Editors’ Picks: 11 Events for Your Art Calendar This Week
Sarah Cascone, Artnet News, June 6, 2022 -
The Retypist: Tim Youd Travels the World, Turning Classic Novels into Works of Performance Art
Mary Wisniewski, Newcity Magazine, June 1, 2022 -
Editor’s Letter: June 2022
Brian Hieggelke, NewCity, May 27, 2022 -
Dualities Over Dichotomies: Maureen O’Leary at Cristin Tierney Gallery
Vittoria Benzine, WhiteHot Magazine, May 25, 2022 -
Exposición “Así van las cosas” en MAVI escudriña el incierto futuro
Sour Magazine, May 23, 2022 -
Modern Stillness: Maureen O’Leary’s “Both/And” at Cristin Tierney Gallery
Audra Lambert, Ante Mag, May 16, 2022 -
Maureen O’Leary Addresses Ireland’s 1916 Easter Rising at NYU’s Kimmel Windows Gallery
Kerry Da Silva Cox, Cultbytes, May 10, 2022 -
Retyping Willa: Red Cloud and Omaha Latest Stops on Decade-Long Literary Art Project
Matthew Hansen, Hastings Tribune, May 6, 2022 -
NORMAL PEOPLE at Berlin Gallery Weekend
Kristian Vistrup Madsen, Artforum, May 5, 2022 -
Performance Artist Honors Historic Nebraska Author by Retyping Novel
Tanner Dykstra, Nebraska News Service, April 17, 2022 -
Friday LIVE: Tim Youd
Shannon Claire, Genevieve Randall, Nebraska Public Media, NPR, April 15, 2022 -
Short Takes: Performance Artist Visits Nebraska to Retype Cather Novels
Marjie Ducey, Omaha World Herald, April 10, 2022 -
The 25 Best Artworks About the U.S. Flag, From the Patriotic to the Provocative
Alex Greenberger, ARTnews, April 6, 2022 -
Julian Gaines Has a Question: "How Do I Paint Oregon Black?"
By Sandra E. Garcia, The New York TimesApril 4, 2022 -
Performing Artist Offers 'New Way to Connect with Cather’
LeAnne Bugay, Nebraska Today, University of Nebraska, Lincoln, April 1, 2022 -
Britney Spears' Instagram Is Claudia Bitrán's Muse
Matt Moen, PAPER Magazine, March 12, 2022 -
Cristin Tierney Gallery opens an Exhibition of New Paintings and Animations by Claudia Bitrán
ArtDaily, March 12, 2022 -
Claudia Bitrán Reflects on How We Consume Images in “Stereotypies”
Shawn Ghassemitari, HypeBeast, March 10, 2022 -
Dan's Cover Artist Joe Fig Resurrects Pollock In Miniature Form
Oliver Peterson, Dan's Papers, March 4, 2022 -
Alois Kronschlaeger’s Work is a Play on Geometry of Built Environment
Dilpreet Bhullar, Stir World, February 17, 2022 -
Scenes From Two GLEAN Exhibitions
Arashi Young, MetroNews, February 11, 2022 -
Judy Pfaff
By Leah Triplett, Sculpture MagazineFebruary 9, 2022 -
Light on the Retinas, Light on the Screens
Jennifer Landes, The East Hampton Star, January 27, 2022 -
Five Free Events: 'Building Things' In Times Square and Art Lessons at Home
All Arts Editors, ALL ARTS, January 6, 2022 -
A tragicomic film plays across 80 billboards in Times Square every night this month
Anna Rahmanan, TimeOut, January 5, 2022 -
Editors’ Picks: 11 Events for Your Art Calendar
Sarah Cascone, Artnet News, December 14, 2021 -
Studio Visit: MK Guth
Amelia Rina, BOMB, December 8, 2021 -
Best Art Exhibitions of 2021
By Holland Cotter, The New York TimesDecember 7, 2021 -
The Defining Artworks of 2021
Maximilíano Durón, ARTnews, December 6, 2021 -
East End Artists' Works Joined by Geography, Theme at Parrish Art Museum
Deidre S. Greben, Newsday, December 3, 2021 -
Reframing Freedom
Melissa Smith, The New York Times, November 25, 2021 -
Dread Scott Celebrates a Long-forgotten Rebellion as a Moment of Resilience
Taylor Michael, Hyperallergic, November 17, 2021 -
Visualizing Climate Change Through Abstract Painting
By Carter Ratcliff, HyperallergicNovember 11, 2021 -
Jorge Tacla: Damage Control
Matías Celedón, Artishock, November 11, 2021 -
3 Art Gallery Shows to See Right Now
Jillian Steinhauer, New York Times, November 3, 2021 -
Blaxploitation Considered Anew In Exhibition at Poster House New York: Forbes
Chad Scott, Forbes, November 3, 2021 -
Interview: Dread Scott with Charles M. Schultz
Charles M Shultz, Brooklyn Rail, November 1, 2021 -
Still Reeling
Cultured Magazine, October 1, 2021 -
At the AU Museum, two artists take on a fraught natural world, from different angles
By Mark Jenkins, The Washington PostSeptember 28, 2021 -
An interview with Brian Harnetty and Mary Lucier
By Anna Talarico, The Hoosac InstituteSeptember 27, 2021 -
Feature: We Visit the Artist at Work, Retyping a Chicago Literary Masterpiece
Third Coast Review, September 26, 2021 -
Dread Scott auctions his maiden NFT of a “white man for sale” at Christie’s
The Editors, Surface Magazine, September 15, 2021 -
Artist Dread Scott’s First NFT Is a Video of a White Man Atop an Auction Block. He’s Taking It Straight to Christie’s
Taylor Dafoe, Artnet News, September 14, 2021 -
Seeking Art That Expands the Possibilities for a Troubled World
Siddhartha Mitter, New York Times, September 14, 2021 -
"White Male for Sale": Dread Scott’s First NFT
Shanti Escalante-De Mattei, ARTnews, September 14, 2021 -
Dread Scott's NFT White Male For Sale, a critique on slavery, to be auctioned off at Christie’s
Wallace Ludel, The Art Newspaper, September 14, 2021 -
Art Out: Pelle Cass, Dread Scott, Farah Al Qasimi
Musée Magazine, September 10, 2021 -
The Exciting Art Events You Won't Want to Miss This Autumn
Elephant, September 1, 2021 -
Sara Siestreem 2017-2018 TAAP Awardee Interview
By: Ashley Russell, Museum of Natural and Cultural HistoryAugust 25, 2021 -
Slightly Surreal Suburbia - Cristin Tierney Gallery
Heather Zises, Portray Magazine, August 2, 2021 -
Latest News in Black Art
Victoria L. Valentine, Culture Type, August 1, 2021 -
Endeavor Impact, Art for Justice Announce Inaugural Frieze Impact Prize Winners
Kirsten Chuba, Hollywood Reporter, July 28, 2021 -
Joan Linder and Maureen O'Leary Turn the Suburbs Surreal
Shawn Ghassemitari, HYPEBEAST, July 8, 2021 -
In the Kitchen: Husband-and-Wife Artists Alois Kronschlaeger and Florencia Minniti on How to Throw a Blue Taco Party
Sarah Cascone, ArtNet News, June 28, 2021 -
A ‘Titanic’ Endeavor: Artist Remakes Hit Film On a More Intimate Scale
Christian Vasquez, The Dallas Morning News, June 22, 2021 -
Cristin Tierney Gallery presents a temporary immersive installation by Alois Kronschlaeger
Jose Villarreal, ArtDaily, June 22, 2021 -
25 Notable New Releases Over the Next Two Weeks
Vulture Editors, Vulture, June 21, 2021 -
Have the blues? Visit the new immersive art installation
Roger Clark, Spectrum News NY 1, June 8, 2021 -
John Wood and Paul Harrison: Bored
Lyle Rexer, The Brooklyn Rail, June 4, 2021 -
New York City artist unveils new blue exhibit to the Lower East Side
Bob Krasner, amNY, May 26, 2021 -
Wake Forest Students Select Works by Salman Toor and Zanele Muholi for School’s Art Collection
Cassie Packard, Hyperallergic, May 13, 2021 -
Why Is Instagram Censoring Dread Scott?
Ryan Waddoups, Surface Magazine, May 1, 2021 -
Malia Jensen
Charity Coleman, Artforum, May 1, 2021 -
Art Installation at UH Invites Community Dialogue About Law Enforcement
Sara Tubbs, University of Houston, April 7, 2021 -
At Cristin Tierney, Malia Jensen Proves that Animals Have a Taste for Art
Blake Gopnik, March 15, 2021 -
Oops! A New Documentary About the Knoedler Fakes Scandal Accidentally Included an Artist’s Trick Image as Real
Brian Boucher, Artnet News, March 5, 2021 -
Malia Jensen: Nearer Nature
Elena Clavarino, Air Mail Arts Intel Report, February 27, 2021 -
Malia Jensen at Cristin Tierney
ArtPyre, February 5, 2021 -
Our picks of the must-see shows to see in New York in February
The Art Newspaper, February 5, 2021 -
Against Passive Seeing: Shaun Leonardo
Jane Ursula Harris, Flash Art, January 20, 2021 -
Claudia Bitrán: Be Drunk
Artishock Revista, January 2, 2021 -
John Wood and Paul Harrison Solo Exhibition: Words Made of Atoms
Mark Westall, FAD Magazine, December 28, 2020 -
On the Cover of New York Magazine: Living With Karens
By Lauren Starke, New York MagazineDecember 21, 2020 -
"Art is not a spectator sport": the confounding work of Victor Burgin – in pictures
The Guardian, December 16, 2020 -
Shaun Leonardo’s Stark Images Of Police Brutality Leaving MASS MoCA, Without Incident, Headed To The Bronx
Chad Scott, Forbes, December 8, 2020 -
Joe Fig's "Contemplation" Paintings Are Winning Rave Reviews
Kay Kipling, Sarasota Magazine Review, November 9, 2020 -
"I Voted" Stickers for Everyone Who Needs One A New York Magazine collaboration with 48 artists.
By The Editors, New York MagazineOctober 22, 2020 -
The 25 Most Influential Works of American Protest Art Since World War II
By Thessaly La Force, Zoë Lescaze, Nancy Hass, and M.H. Miller, The New York TimesOctober 15, 2020 -
Scylla and Charybdis
By Lawrence Weschler, The AtlanticOctober 15, 2020 -
MASS MoCA Exhibit "The Breath Of Empty Space" Reinterprets Media Representations Of Police Violence
Zoë Mitchell and Tiziana Dearing, WBUR Radio Boston, October 14, 2020 -
21 Events for Your Art Calendar This Week
Sarah Cascone, Artnet News, October 12, 2020 -
A Monumental Uprising
By Noah Simblist, Art in AmericaSeptember 30, 2020 -
Joe Fig at Cristin Tierney
Jonathan Goodman, Whitehot Magazine, September 28, 2020 -
Joe Fig
Johanna Fateman, The New Yorker, September 15, 2020 -
At Mass MoCA, an artist draws a long line on police killings
Murray Whyte, The Boston Globe, September 10, 2020 -
After controversial cancellation in Cleveland, Mass MoCA will exhibit Shaun Leonardo’s images of Black victims
Nancy Kenney, The Art Newspaper, August 24, 2020 -
A Visual-Arts Bright Spot in COVID Summer
By: David Bates, Oregon ArtswatchJuly 28, 2020 -
Artist Claudia Bitran’s Lurid Obsession with ’90s Pop Culture
Samuel Anderson, Artsy, July 14, 2020 -
From Keith Haring to Dread Scott, a Brief History of Public Art in New York City
Claire Selvin, ARTnewsJuly 2, 2020 -
Artist Shaun Leonardo Wants to Expand the Conversation on Police Brutality Through His Work
Tanzina Vega, The Takeaway, July 1, 2020 -
Dread Scott on Confronting Racial Oppression in America
By Dread Scott, Art in AmericaJune 10, 2020 -
Dread Scott on art and rebellion
By Zack Hatfield, ArtforumJune 8, 2020 -
Dread Scott: America God Damn
By Dread Scott, The Art NewspaperJune 5, 2020 -
Beer With a Painter: Judy Pfaff
By Jennifer Samet, HyperallergicMay 23, 2020 -
On The Line With... Ju Working On Projects
By Elhadji Mare, StockXMay 13, 2020 -
Dread Scott: Beyond History
By Sarah Juliet Lauro, Art PapersMarch 1, 2020 -
The Women Artists Who Deserve Our Attention, According to 9 Leading Artists
Artsy EditorialMarch 1, 2020 -
How Tim Youd Turns Reading Into Art
Billy McEntee, Holy Cross Magazine, March 1, 2020 -
From bean-sized art to thumbnail books, tiny worlds hold us spellbound
By Andrew Stephens, The Sydney Morning HeraldJanuary 24, 2020 -
Red, White, Yellow, Black: A Multiracial Feminist Video Collective, 1972-73
By Emily Watlington, Another GazeDecember 23, 2019 -
Urban and rural Oregonians share basic needs
By T. Lee Brown, The Nugget NewspaperDecember 10, 2019 -
‘Salty’ artwork suggests beauty and connection
By T. Lee Brown, The Nugget NewspaperDecember 10, 2019 -
Artist peter campus reflects on life of art, life, spirit
Lynn Felder, Winston-Salem Journal, November 16, 2019 -
"It makes it real:" hundreds march to re-enact 1811 Louisiana slave rebellion
By Oliver Laughland, The GuardianNovember 11, 2019 -
A Slave Rebellion Rises Again
By Rick Rojas, The New York TimesNovember 9, 2019 -
Dread Scott’s ‘Slave Rebellion Reenactment’ Commemorates a Forgotten Uprising
By Paddy Johnson, ObserverNovember 6, 2019 -
Malia Jensen — Nearer Nature: Worth Your Salt
By April Baer, Oregon Public BroadcastingOctober 31, 2019 -
Hallie Ford Fellows explore ‘What Needs to Be Said’
By David Bates, Oregon ArtswatchOctober 30, 2019 -
Titanic by Claudia Bitran at her Smack Mellon Studio
By Sofia Quirno, NY Art MapsOctober 30, 2019 -
Accurate Projections: Illuminating the Recent Past
By Michael Kimmelman, The New York TimesOctober 19, 2019 -
Letter from Sagehen Creek
MB Maher, MediumOctober 19, 2019 -
Seeing Differently, Seeing More: An Interview with peter campus
Anna Boutte, NAD NOW, October 7, 2019 -
Claudia Bitrán and Fallen: The Morbid Debauchery
Galio, September 15, 2019 -
Dread Scott’s Rebellion
By Julian Lucas, Vanity FairSeptember 9, 2019 -
These time-keeping paintings capture the disappearing glaciers
By Monica Rogozinski, WHYY / PBSSeptember 4, 2019 -
Janet Biggs: Overview Effect
By Nicole Miller and Eleanor Paynter, The Brooklyn RailJuly 31, 2019 -
peter campus Sees the Self in Video
Patty Gone, Hyperallergic, July 15, 2019 -
Fairy tales come to life
By Anderson Turner, Akron Beacon JournalJuly 13, 2019 -
So Well Timed
John Haber, Haber's Art Reviews, July 12, 2019 -
Everything Comes From Nothing
By James Barron and Christian Anwander, Upstate DiaryJuly 1, 2019 -
Janet Biggs
By Johanna Fateman, The New YorkerJune 28, 2019 -
Studio Visit: Artist Tim Youd
By Julie Wolfson, Cool HuntingMay 24, 2019 -
"Mi llegada a Nueva York fue dura, sin un peso ni coyunturas"
Denisse Espinoza, Culto, May 3, 2019 -
The Jorge Tacla archive has been acquired by the Smithsonian
ArtNexus, April 25, 2019 -
Judy Pfaff
By David Ebony, Art in AmericaApril 1, 2019 -
Sun Cycles
By Tanya Zimbardo, VoCAMarch 7, 2019 -
Interview: Mary Lucier
Alex Klein, BOMB Magazine, March 7, 2019 -
With Four Shows Opening Across New York, 82-Year-Old Video Art Pioneer Peter Campus Is Having a Moment. Here’s Why.
Taylor Dafoe, Artnet, March 6, 2019 -
Seeking Beauty as the World Falls Apart
By Sarah Rose Sharp, HyperallergicFebruary 22, 2019 -
David Opdyke @ The University of Michigan Institute for the Humanities
By Ryan Standfest, Detroit Art ReviewFebruary 9, 2019 -
El Giro Visible: Artistas Contemporáneos Enfrentan la Invisibilidad Política
Artishock, February 6, 2019 -
In the galleries: Science expands nature art, on grand and minuscule scales
By Mark Jenkins, The Washington PostJanuary 18, 2019 -
To Get This Artist’s Message, You Have to Look Really Closely
By Lawrence Weschler, The New York TimesJanuary 18, 2019 -
USF art exhibit is a wakeup call about the health of our world
Joanne Milani, Tampa Bay Times, January 17, 2019 -
Notions of visibility at CAM
Maggie Duffy, Tampa Bay Times, January 9, 2019 -
Invisible no more
Remy Dirlam, The Oracle, January 8, 2019 -
The Art Tales of the Brothers Grimm
By Rachel Spinella, The CarolinianNovember 14, 2018 -
Artist, students recreate sinking of Titanic at University of Michigan's Canham Natatorium
By Meredith Bruckner, All About Ann ArborOctober 25, 2018 -
Artists Reinterpret Classic Fairy Tales, from Rapunzel to Snow White
By Amy Funderburk, HyperallergicOctober 22, 2018 -
Visiting artist recreates sinking of Titanic with synchronized swim club, Stamps students
By Alana Valko, UMich Arts & CultureOctober 22, 2018 -
'Sculptors ReCollected' at College of Saint Rose's Massry Gallery
By William Jaeger, Times UnionOctober 18, 2018 -
Now on view in the Loeb: Tim Youd’s literary pilgrimages
By Christian Flemm, The Miscellany NewsSeptember 19, 2018 -
Tim Youd: “The Hudson Valley Retyped”
By Shana Nys Dembrot, Whitehot MagazineSeptember 1, 2018 -
The Novel In Performance
By Ralph Gardner Jr., WAMCJuly 21, 2018 -
Retyping Ironweed at the Albany Institute
July 10, 2018 -
Man retyping Kennedy's 'Ironweed'
By Paul Grondahl, Times UnionJune 26, 2018 -
Can an Artist Shift the Gun Debate?
Meredith Mendelsohn, The New York Times, June 22, 2018 -
‘The Bleak and the Burgeoning’ art show now open at Walton Arts Center
By Dustin Bartholomew, Fayetteville FlyerJune 21, 2018 -
Artist retypes novels as performance art, this time Cheever's 'Falconer' at Sing Sing
By Jordan Fenster, The Journal NewsJune 9, 2018 -
Typing a Novel About Vassar, Word for Word, as Art
By James Barron, The New York TimesApril 29, 2018 -
Art review: ‘Operation Sunshine’ scrutinizes environmental issues
By Ron Schira, Reading EagleMarch 11, 2018 -
Artist Tim Youd Retypes St. Louis
By Dickson Beall, Webster-Kirkwood TimesMarch 7, 2018 -
Jorge Tacla
Florencia San Martín, ArtNexus, March 1, 2018 -
peter campus: pause
Pac Pobric, The Brooklyn Rail, February 17, 2018 -
Exhibition Review - Peter Campus: Pause
Billy Anania, Musée Magazine, February 15, 2018 -
Exhibit at Notre Dame's Snite Museum of Art brings together works by female printmakers
By Becky Malewitz, South Bend TribuneJanuary 30, 2018 -
"Mi lenguaje pictórico está inmigrando todo el tiempo"
Montserrat Molina, Revistas Casa, January 5, 2018 -
Jorge Tacla: "La Destrucción No Crea Memoria, Deberia Permanecer en la Memoria"
Nicolás Narváez Alquinta, Artishock, December 12, 2017 -
La Poética del Abandono: Jorge Tacla por Partido Doble
Marilú Ortiz de Rozas, El Mercurio, December 4, 2017 -
Entrevista a Jorge Tacla
Culturizarte, December 4, 2017 -
You can watch this artist’s odd "devotional" to creative writing in Chapel Hill
By Tammy Grubb, The Herald-SunDecember 1, 2017 -
Excepcional Aporte a la Cultura de Jorge Tacla: "Todo Lo Sólido Se Desvanece"
Carmen Schmitt Yoma, Al Damir, December 1, 2017 -
Todo Lo Sólido Se Desvanece
Ignacio Szmulewicz, La Panera, December 1, 2017 -
Teoría de los Escombros
Diego Zúñiga, Qué Pasa, December 1, 2017 -
Dread Scott Reenacts a Slave Revolt to Radically Reconsider Freedom
By Seph Rodney, HyperallergicNovember 17, 2017 -
Artist's Literary Pilgrimage Brings '100 Novels Project' To The Triad
By David Ford, WFDDNovember 17, 2017 -
Artist and typewriter find temporary home in ZSR
By Lillian Johnson, Old Gold & BlackNovember 17, 2017 -
Jorge Tacla Recorre 35 Años de Trayectoria en CorpArtes
Francisca Gabler, Culto, November 10, 2017 -
Artist Dread Scott’s Slave Rebellion Reenactment Is Not Just About Slavery
By Brooke Marine, W MagazineNovember 7, 2017 -
Janet Biggs with Nancy Princenthal
By Nancy Princenthal, The Brooklyn RailNovember 3, 2017 -
34 Unmissable Gallery Shows to see in New York City This November
Sarah Cascone, Artnet News, October 26, 2017 -
Willingdon Linear Park brings new life to a Burnaby in transition
By Gail Johnson, The Georgia StraightOctober 17, 2017 -
El Centro Andaluz de Arte Contemporáneo celebra la primera retrospectiva en España de Peter Campus, pionero del videoart
Ángela Molina, Zenón de Sevilla, October 14, 2017 -
At the Brooklyn Museum, New Research on Lynching in America Dialogues with the Art
By Michael Friedrich, HyperallergicOctober 2, 2017 -
Tim Youd
By Michael Wilson, ArtforumOctober 1, 2017 -
Announcing the 24th Moving Walls Exhibit, Here We Are: Visual Resistance and Reclaiming Narratives
By Yukiko Yamagata, Open Society FoundationsSeptember 18, 2017 -
Janet Biggs: A Step On the Sun -Terrific exhibition opening in September at the Neuberger Museum of Art
By Stacy G, Stacy KnowsSeptember 5, 2017 -
Confronting the Legacy of Racial Terror, at the Brooklyn Museum
By Siddhartha Mitter, The Village VoiceAugust 29, 2017 -
Editors’ Picks: 11 Things to See in New York This Week
By Sarah Cascone, ArtnetAugust 7, 2017 -
Literary Ecstasy
By Pimploy Phongsirivech, Interview MagazineJuly 13, 2017 -
No conforming to type as novel project visits New York
The Art NewspaperJuly 1, 2017 -
Los Multinaturalistas: De la Naturaleza como Espacio Político
By Ursula Ochoa, ArtishockJune 13, 2017 -
Is Capitalism Doomed? A New Museum Imagines the Downfall of the Economic System
By Brian Boucher, artnetJune 11, 2017 -
The High Museum: A Break From Normalcy
By Lauren Waits, WABE - NPR / PBSJune 8, 2017 -
Ribattere sulla storia
By Fabrizia Maselli, ExibartMay 31, 2017 -
Tim Youd riscrive “Augustus” al Museo dell’Ara Pacis
The Parallel VisionMay 24, 2017 -
Janet Biggs and Regina José Galindo: Endurance
By Robin Scher, Riot MaterialMay 24, 2017 -
Wide Aisles and Tight Spaces
By John Haber, Haber ArtsMay 24, 2017 -
Tim Youd all'Ara Pacis: ribatterà a macchina il romanzo Augustus
Oggi RomaMay 16, 2017 -
La performance di Tim Youd dentro l’Ara Pacis. Ricalcare (e perdere) le parole di un romanzo
By Helga Marsala, ArtribuneMay 15, 2017 -
Peter Campus, withdrawal and extension
AMA, April 27, 2017 -
9 Art Events to Attend in New York City This Week
ARTnewsApril 24, 2017 -
Embedded
By Lars Kulik, Technosphere MagazineApril 15, 2017 -
me, myself and who?
Ingrid Iuquet-gad, Les Inrockuptibles, April 11, 2017 -
Art vidéo, têtes chercheuses
Culture Expose, April 7, 2017 -
Peter Campus: video ergo sum
La Gazette Drouot, April 7, 2017 -
Peter Campus: "Video ergo sum" at Jeu de Paume
Prashansa Poddar, Urban Mishmash Paris, April 6, 2017 -
Peter Campus. Video Ergo Sum
Arshake, Arshake, April 6, 2017 -
Peter Campus, Video ergo sum
Orianne Charpentier , Paris Mômes, April 5, 2017 -
Renowned artist Judy Pfaff comes to Tyler School of Art
By Hillel Hoffmann, Temple NowApril 3, 2017 -
Peter Campus
Dominique Moulon, Art Press, April 1, 2017 -
Jorge Tacla
Andrea Larrabe, Harper's Bazaar Chile, April 1, 2017 -
Une réflexion à l'infini
Kultur Expo 17, March 23, 2017 -
Daniels Faculty of Architecture Hosting Multiple Events March 24
By Jack Landau, Urban TorontoMarch 17, 2017 -
Peter Campus, le sentiment de la nature
Christophe Domino, Journal des Arts, March 17, 2017 -
peter campus, circa 1987
Joshua Mack, Art Review, March 1, 2017 -
Peter Campus
Pierre Alexandre Mateos, Flash Art, March 1, 2017 -
Peter Campus
Time Out Paris, February 20, 2017 -
CAMPUS MOVIES
Timé Zoppé, Trois Couleurs, February 17, 2017 -
PETER CAMPUS
Hearne Pardee, The Brooklyn Rail, February 17, 2017 -
Se mirer le surmoi dans les écrans de Peter Campus au Jeu de Paume
Philippe Bonnet, Les Soirées de Paris, February 17, 2017 -
An Artist Draws Out America’s Buried and Fenced-off Toxic Sites
By Sarah Rose Sharp, HyperallergicFebruary 15, 2017 -
Exhibition at Jeu de Paume retraces Peter Campus' career
Art Daily, February 15, 2017 -
A New Arts Program Offers an Alternative to Incarceration for Minors
By Brian Boucher, ArtnetFebruary 14, 2017 -
Peter Campus - Video ergo sum
Paris, February 14, 2017 -
In a Distant Temporal Realm: Mary Lucier at the Kitchen
By Hearne Pardee, artcriticalFebruary 13, 2017 -
Peter Campus
Hannah Stamler, Artforum, February 10, 2017 -
Artnet News Critics’ Picks: The Most Memorable Artworks of 2016
By Brian Boucher, ArtnetDecember 18, 2016 -
Peter Campus. Video ergo sum
WSI, December 16, 2016 -
peter campus
Paris, December 15, 2016 -
How to Safely Defend Yourself From Police Brutality
By Donovan X. Ramsey, ComplexDecember 14, 2016 -
Jorge Tacla: Señal de Abandono
Artishock, December 14, 2016 -
Peter Campus. Video ergo sum
Wall Street International, December 13, 2016 -
A Refusal: Dread Scott on Trump, Flag Burning, and the Suppression of Dissent
By Dread Scott, Walker ArtDecember 6, 2016 -
Mixed Media: Terrible Beauty
By Lauran Maynard, At BuffaloNovember 20, 2016 -
"Mi obra siempre hace un juicio duro a los problemas más agudos de la sociedad"
Denisse Espinoza, La Tercera, November 10, 2016 -
Artscapes in miniature: Joe Fig's intimate look at artists' studios
By Michael Abatemarco, PasatiempoNovember 6, 2016 -
Akron Art Museum shows create complex, spectacular visual experiences (photos)
By Steven Litt, Cleveland.comNovember 2, 2016 -
Forms of contact: François Bucher
By Natalie Valencia, TerremotoOctober 31, 2016 -
The Limits of Representation
By William J. Simmons, artcriticalOctober 20, 2016 -
Victor Burgin
By Courtney Fiske, ArtforumOctober 14, 2016 -
Vintage Postcards for the Apocalypse
By Jessica Holmes, HyperallergicOctober 14, 2016 -
Operation Sunshine Illuminates Our Recent Past
By Bruce Adams, Buffalo SpreeOctober 1, 2016 -
Destructive Modernism: Two exhibitions of Victor Burgin
By Hearne Pardee, artcriticalOctober 1, 2016 -
Victor Burgin
By Alex Kitnick, 4ColumnsSeptember 30, 2016 -
Rowan art exhibit looks at race and inequality
By Shannon Eblen, Courier PostSeptember 14, 2016 -
Tim Youd and The Art of Typing
By James Chute, The San Diego Union-TribuneSeptember 6, 2016 -
Rowan University art exhibit explores civil rights issues
By Vincent JacksonSeptember 1, 2016 -
A Brief History of the Artist’s Studio
By George Philip LeBourdaisAugust 27, 2016 -
20 New York Gallery Exhibitions Everyone Should See This Fall
By Ben Davis, artnetAugust 25, 2016 -
Relevant and Revolutionary As Ever
By Soraya Nadia McDonald, AndscapeAugust 17, 2016 -
Does This Flag Make You Flinch?
By Angelica Rogers, The New York TimesJuly 14, 2016 -
“A Man Was Lynched by Police Yesterday” Flag Goes Up in New York City
By Hrag Vartanian, HyperallergicJuly 8, 2016 -
Whiskey, Poetry, and Witty Banter, All in the Name of Art
By Taylor Lindsay, ViceJuly 5, 2016 -
A Writer Drinks (a Lot) for Art
By Ryan Steadman, ObserverJune 24, 2016 -
Dread Scott’s On the Impossibility of Freedom in a Country Founded on Slavery and Genocide: Performance, Photography, and Reimagining History
By John Bowles, IRAAAJune 1, 2016 -
Urban Confrontations: An Interview with Jennifer Marman and Daniel Borins
By Ilana Altman, Spacing TorontoApril 14, 2016 -
Future Greats: Janet Biggs
By Lynn Hershman Leeson, ArtReviewApril 13, 2016 -
Sculptor Judy Pfaff: A lifetime of achievement
By Lynn Woods, Hudson Valley OneApril 1, 2016 -
An artist tours the spaces of 24 fellow artists, then makes art inspired by his visits
By Gareth Branwyn, Boing BoingMarch 25, 2016 -
Arte, Cine, Y Parodia. El Titanic de Claudia Bitrán
By Antonia Taulis, ArtishockFebruary 26, 2016 -
Back to the Future: 50 Years of Video Art at the Broad Art Museum, MSU
By Barbara Pollack, ARTnewsFebruary 12, 2016 -
More than Minimalism: The Algorithmic Turn at the Kitchen
By Charles Eppley, Art in AmericaFebruary 1, 2016 -
The Typewriter and the Capitol Rotunda
By Wallis Watkins, WRKFJanuary 27, 2016 -
Interview: Janet Biggs
By Daniel Wiener, Romanov GraveJanuary 23, 2016 -
Public Art Speaks Up on Peter Street
By Eric Murtrie, Designlines MagazineJanuary 15, 2016 -
Artista chilena recrea, produce y protagoniza TODAS las escenas de Titanic
By Macarena Fernández, El DefinidoDecember 23, 2015 -
Art Without Permission: Tania Bruguera and Dread Scott Discuss Art and Activism at the Brooklyn Museum
By Alex Greenberger, ARTnewsDecember 14, 2015 -
The Larger-Than-Life Projections of a Modern-Day Artist Adventurer
By Susan Siles, HyperallergicDecember 7, 2015 -
Altered States
Beth Shook, Washington City Paper, November 13, 2015 -
Artista Jorge Tacla presenta su arte con memoria política, en Washington DC
El Magazine de El Mostrador, October 26, 2015 -
Artist types, retypes novels onto single sheet in homage to the writing process
By Susan Larson, The New Orleans AdvocateOctober 1, 2015 -
Joe Fig: A Book, a Show and a Talk
By Paul Laster, Whitehot MagazineOctober 1, 2015 -
Performance artist Tim Youd retypes ‘A Confederacy of Dunces’ at NOMA
By Doug MacCash, The Times-PicayuneSeptember 29, 2015 -
Miniature Models of Famous Artists in their Studios
Juxtapoz MagazineSeptember 28, 2015 -
What We Learned About Famous Artists from Joe Fig’s New Studio Visits Book
By Brian Boucher, artnetSeptember 1, 2015 -
Jorge Tacla
Jeffrey Cyphers Wright, ArtNexus, September 1, 2015 -
Flashes of the Uncertain
By Juan José Richards, Galio ChileAugust 1, 2015 -
Titanic a Deep Emotion: Some Thoughts on the Kiss on the Bow and Modern Painting
By Florencia San MartínAugust 1, 2015 -
What Deadly Sins Look Like
The Wall Street JournalJuly 30, 2015 -
Contemporary Artists Create a New Kind of Order at the Barnes Foundation
By Sarah Archer, HyperallergicJuly 28, 2015 -
La Pintura de Tacla y sus Estrategias de Contradicción
Florencia San Martín, Artishock, July 23, 2015 -
Tim Youd: 100 Novels Project
By Jan Austin, The CalifornianJune 26, 2015 -
Weaving back to Roots
By: Haley Martin, 1859 MagazineJune 25, 2015 -
Suburban Scenes, Poetic Paintings and Apocalyptic Art
Peter Plagens, The Wall Street Journal, June 19, 2015 -
Traumas Rise to the Surface in Jorge Tacla's Textured Paintings
K. Sundberg, Artsy, June 4, 2015 -
Heart on Canvas: Three Manhattan Shows, Three Politically Edgy Painters
Christian Viveros-Fauné, The Village Voice, June 3, 2015 -
Three Artists Riff on Albert C. Barnes's Unique Way of Displaying Art
By Meredith Mendelsohn, Architectural DigestMay 31, 2015 -
New Barnes exhibit is a reflection of Barnes — the collection and the collector
By Peter Crimmins, WHYY - NPR / PBSMay 12, 2015 -
Miniature Artists Explain Why They Love Making Tiny Worlds
By Becky Chung, ViceMarch 19, 2015 -
Artist's new take on timeless dystopian masterpiece A Clockwork Orange
By Emma Flanagan, Manchester Evening NewsMarch 11, 2015 -
US Artist Retypes Amis’s Lucky Jim Verbatim
By Alison Flood, The GuardianMarch 10, 2015 -
Somewhere Before: Judy Pfaff at York College
Amy Boone McCreesh, Bmore ArtMarch 4, 2015 -
At the College of New Rochelle, a Show Meant to Provoke Double Takes
By Susan Hodara, The New York TimesFebruary 21, 2015 -
Janet Biggs: "This project traces my very specific memories of my family"
By Lilly Wei, Studio InternationalFebruary 13, 2015 -
Los Angeles Artist Re-Types Two Kansas City Novels
By Cody Newill, KCURFebruary 9, 2015 -
Janet Biggs
By Prudence Pieffer, ArtforumFebruary 9, 2015 -
The Place Makers: Daniel Borins and Jennifer Marman
By Elizabeth Paglicolo, Designlines MagazineJanuary 12, 2015 -
Artist in Omaha making a shot-by-shot remake of James Cameron's 'Titanic'
By Casey Logan, Omaha World-HeraldDecember 8, 2014 -
Sweating the details
By Amy Griffin, Times UnionNovember 12, 2014 -
In the studio with Judy Pfaff: the genesis of two solo exhibitions
Jan Garden Castro, Sculpture MagazineNovember 5, 2014 -
Judy Pfaff Exhibition on View at Garrison Art Center
By Amy Lipton, The Highlands CurrentOctober 17, 2014 -
Local Heroes
By Peter Schjeldahl, The New YorkerOctober 10, 2014 -
Dread Scott Enacts the Images of Oppression
By Hrag Vartanian, HyperallergicOctober 8, 2014 -
Type, type, typing 'Fahrenheit 451' to raise awareness of banned books
By Will Higgins, IndyStarSeptember 21, 2014 -
Capa por Capa
Juan José Richards, Viernes Entrevista, July 1, 2014 -
Hartford Art Teacher Creates Miniature Replicas of Artists' Studios
By Susan Dunne, Five Point ArtsMay 8, 2014 -
PETER CAMPUS Dredgers
Robert Berlind, The Brooklyn Rail, May 6, 2014 -
Meticulous Miniature Replicas Reveal the Fanatical Side of Art
By Doug Bierend, WiredMarch 28, 2014 -
AF Recommends Peter Campus: dredgers
Oscar Laluyan, Arte Fuse, March 9, 2014 -
Masterpiece in Miniature: Review of ‘Inside the Artists’ Studios’ in Greenwich
By Sylviane Gold, The New York TimesFebruary 20, 2014 -
A Dealer’s Eye, and Life
By Roberta Smith, The New York TimesJanuary 16, 2014 -
Jorge Tacla: El Ermitaño Errante
Odette Magnet, Caras, January 1, 2014 -
La Ruptura y el Desconcierto
Mosso Life, December 1, 2013 -
Victor Burgin: A Sense of Place
By Gabriel Coxhead, Time OutNovember 13, 2013 -
Elmore Leonard's South Florida Return: Artist Tim Youd to Re-Type Get Shorty During Art Basel
Miami New TimesNovember 12, 2013 -
Artist Crafts Teeny Tiny Models Of Famous Artists' Studios
HuffpostNovember 5, 2013 -
Jorge Tacla
Montserrat Molina, Casas, November 1, 2013 -
Marman and Borins Take Window Decoration to a New Level
ArtsyOctober 25, 2013 -
Keeping New Media New
Rachel Wolff, ARTnews, October 1, 2013 -
Tim Youd: An Art of Sound and Word
By Juri Koll, HuffpostSeptember 17, 2013 -
Artist of the Week: Jennifer Marman & Daniel Borins
Lvl3September 16, 2013 -
My Personal Definition of Art
By Diane Burko, The Brooklyn RailSeptember 1, 2013 -
Review: Tim Youd’s ‘Post Office’ is Bukowski to the letter
By Christopher Knight, Los Angeles TimesJuly 24, 2013 -
Performing Charles Bukowski’s "Post Office" on a typewriter
By Avishay Artsy, KCRWJuly 17, 2013 -
François Bucher rediscovers the archaeologist Daniel Ruzo at the 55th Biennale di Venezia
Arte Al DiaJuly 11, 2013 -
12 Amazing Miniature Replicas Of Famous Artists’ Studios
By Kyle Vanhemert, Fast CompanyJune 14, 2013 -
Miniaturist Extraordinaire Recreates Famous Artists' Studios
By Amy Schellenbaum, CurbedJune 14, 2013 -
Financial Muscle: The Work of Richard Galpin
By Robert Wilson, Block MagazineJune 1, 2013 -
Colombia: François Bucher
ArtsyMay 24, 2013 -
Other Criteria
By David Campany, FriezeMay 17, 2013 -
Work on Monday: "Ross Bleckner 2007" by Joe Fig
By Oliver Peterson, Dan's PapersApril 29, 2013 -
Meditative Continuity: New Video Works by Mary Lucier
By Hearne Pardeem, artcriticalApril 17, 2013 -
Jennifer Marman and Daniel Borins
By Gabrielle Moser, Canadian Art MagazineMarch 15, 2013 -
AO Interview – New York: Peter Campus “Now and Then” at Bryce Wolkowitz Gallery
Aniko Berman, Art Observed, January 13, 2013 -
Todos los Mundos de Jorge Tacla
Fernanda Álvarez C., ¡Hola!, October 18, 2012 -
The Otherworldly Beauty of the Worst Job Ever
Canadian Art JunkieOctober 10, 2012 -
Q&A with Janet Biggs
By Emily Raine, Cult MTLOctober 9, 2012 -
The Artist Perseveres
By Nozlee Samadzadeh, The Morning NewsOctober 8, 2012 -
Pierre Dorion et Janet Biggs au MAC: dévoués aux espaces
By Éric Clément, La PresseOctober 6, 2012 -
Abstract and Extreme Exhibitions
By Meghan Pearson, The LinkOctober 5, 2012 -
Past Reunites at SVAC Show
By Andrew McKeever, Manchester JournalJune 28, 2012 -
Victor Burgin: Between
By David Campany, SourceMarch 1, 2012 -
Video art by Peter Campus on display at Richmond Center
Tonya Durlach, WMU News, February 21, 2012 -
Review: MK Guth, The Cosmopolitan of Las Vegas
By Kirsten Swenson, Art in AmericaJanuary 7, 2012 -
Jorge Tacla
Carolina Lara B., ArtNexus, December 1, 2011 -
The Lookout: A Weekly Guide to Shows You Won't Want to Miss
Leigh Anne Miller, Art in America, December 1, 2011 -
Jorge Tacla: Altered Remains
Rebecca Kaye, BOMBlog, November 23, 2011 -
Wetness Visible
By Charlie Finch, artnetNovember 1, 2011 -
Los Escombros de Jorge Tacla
Jessica Atal, Capital, November 1, 2011 -
Ruina y Desaparición: Las Obsesiones que Envuelven las Pinturas de Jorge Tacla
Denisse Espinoza, La Tercera, August 12, 2011 -
Alternative Worlds Where Even McMansions Are Tiny
By Karen Rosenberg, The New York TimesJune 16, 2011 -
Wie Joe Fig Ateliers als Miniaturmodelle nachbaut
By Paolo Bianchi, KunstforumMay 30, 2011 -
Joe Fig
By Brian Boucher, Art in AmericaMay 30, 2011 -
Peter Campus: Calling for Shantih at Cristin Tierney
Aniko Berman, XXXX Magazine, January 20, 2011 -
My Poor Men Who Died So Patiently
Nancy Brokaw, Image World, January 16, 2011 -
The Surrogate Eye: Peter Campus’s new videos
Hearne Pardee, Artcritical, December 12, 2010 -
Peter Campus: "Calling for Shantih"
Ken Johnson, The New York Times, December 9, 2010 -
Fragmented Finishes
By Michele Robecchi, Fantom Photographic QuarterlySeptember 1, 2010 -
Jorge Tacla Presentará Obras Inéditas en Galería Animal
La Segunda Online, August 27, 2010 -
Art and politics: A reappraisal
By Hilde Van Gelder, EurozineJuly 30, 2010 -
Taking the High Line: the art park that rivals MoMA
By Judith H. Dobrzynski, The Art NewspaperMarch 6, 2010 -
Painting a Message of Melting
By Jane Biberman, The Pennsylvania GazetteMarch 1, 2010 -
Peter Campus — Image and Self
Bill Viola, Art in America, February 1, 2010 -
"Opticks," Peter Campus at the BFI South Bank Gallery
Anne Duffau, Curating the Words, January 27, 2010 -
Entrevista con Patrick Charpenel para la revista Código
By Patrick Charpenel, Revista CódigoJanuary 1, 2010 -
Finders Keepers: Jennifer Marman and Daniel Borins’ post-revolutionary take on the vernacular
By Ben Portis, Canadian Art MagazineSeptember 30, 2009 -
Two Community Projects: Dread Scott in Philadelphia and Hassan Hajjaj in Cardiff
By Andrea Kirsh, artblogAugust 17, 2009 -
John Wood and Paul Harrison's burlesque video
By Emmanuelle Lequeux, Le MondeAugust 12, 2009 -
Red Shoe Delivery Service, or My Heart’s Anti–Destination
By Stephanie Snyder, ARCADE MagazineAugust 7, 2008 -
Interview: peter campus
Jean Wainwright, Pluk Magazine, July 1, 2008 -
Peter Campus
Jean Wainwright, Art Review, June 1, 2008 -
Review: Whitney Biennial
By Kim Levin, ArtNewsMay 1, 2008 -
Jorge Tacla
Donald Kuspit, Artforum, April 1, 2008 -
Smile, you're on Campus camera
Ossian Ward, Time Out London, March 5, 2008 -
Tacla Frágil y Obsesivo
Rocío Valdez C., La Tercera Cultura, February 2, 2008 -
‘We Are Not Dancers (Obviously)’ - Sarah Cunliffe on Wood and Harrison’s undancerly video choreographies
By Sarah Cunliffe, Dance Theatre JournalJanuary 1, 2008 -
Victor Burgin’s meaningful cityscape and the legacy of socially-responsive narrative view painting
By Dr. Caroline Igra, Journal of Visual Arts PracticeJanuary 1, 2008 -
Severa Vigilancia
By María José Ramírez, ArtNexusDecember 1, 2007 -
Joan Linder's 'Of Bodies and Buildings' at Dowling
By Ariella Budick, NewsdayNovember 27, 2007 -
Mary Lucier at Lennon, Weinberg
Carey Lovelace, Art In America, November 1, 2007 -
Jorge Tacla regresa a Chile con muestra inspirada en bombardeo de Beirut
La Tercera, October 8, 2007 -
Tacla y el Trauma
Magdalena Aninat, La Tercera Cultura, September 29, 2007 -
Los viejos narcos en la ruina
By Juan Esteban Osorio, SemanaSeptember 18, 2007 -
Jorge Tacla: "Debería exponer más en mi país"
Maureen Lennon Zaninovic, El Mercurio, September 2, 2007 -
The Parrish Readies an Expansion
By Kate Taylor, The SunJuly 17, 2007 -
Artists at Work (Very Tiny Ones)
By Benjamin Genocchio, The New York TimesJuly 8, 2007 -
The Minute
By Abraham Orden, artnetApril 5, 2007 -
In Conversation: Mary Lucier with Phong Bui
By Phong Bui, The Brooklyn RailMarch 1, 2007 -
In The Poem About Love You Don't Write the Word Love
By Mike Sperlinger, FriezeMarch 17, 2006 -
The Red Shoe Delivery Service: From the Armory to the Land of Oz
By Francesca Granata, Fashion ProjectsJanuary 1, 2006 -
Red Shoe Delivery Service
By Juliette Peers, ArtlinkDecember 1, 2005 -
A Horse and Dancers in an Ode to Interspecies Ties
By Jennifer Dunning, The New York TimesOctober 10, 2005 -
Jorge Tacla y su Mundo de Deterioro y Muerte
Loreto Velázquez Ziede, Arte al Limite, September 1, 2005 -
Art in Review: Victor Burgin
By Roberta Smith, The New York TimesApril 29, 2005 -
Plainsong: The Video of Mary Lucier
Paula Rabinowitz, Border Crossings, March 9, 2005 -
Review of Richard Galpin at Roebling Hall, New York
By Minna Proctor, Art ReviewMarch 1, 2005 -
Immersive Contemplation in Video Art Environments
By Tiffany Sutton, Contemporary AestheticsJanuary 1, 2005 -
Former UConn Players' Drills Become a Work of Art
By Donna Tommelleo, The Boston GlobeNovember 27, 2004 -
Mary Lucier: The Plains of Sweet Regret
Karen Wilkin, Catalogue: The Plains of Sweet Regret, June 1, 2004 -
Along for the Ride
By Amoreen Armetta, Time Out New YorkMarch 11, 2004 -
ART REVIEW; Landscapes That Push The Boundaries
By Benjamin Genocchio, The New York TimesSeptember 14, 2003 -
Janet Biggs at the Herbert F. Johnson Museum of Art
By Faye Hirsch, Art In AmericaJuly 1, 2003 -
Peter Campus at Leslie Tonkonow
Hearne Pardee, Art in America, July 1, 2003 -
Jorge Tacla: Expanding the Field of Painting
Raúl Zamudio, ArtNexus, June 1, 2003 -
Jorge Tacla
Tatiana Flores, ArtNexus, April 1, 2003 -
ART IN REVIEW; "The S Files" – "The Selected Files 2002"
By Holland Cotter, The New York TimesJanuary 17, 2003 -
Peter Campus
James Trainor, Frieze, November 11, 2002 -
The Aesthetics and Rhetoric of the Technological Arts Interface Machines
By John-Paul Longavesne, CrossingsSeptember 1, 2001 -
Faena Monumental
Capital, August 31, 2001 -
Jorge Tacla: A Su Sala No Más Llega
Catalina Mena, Las Últimas Noticias, August 21, 2001 -
Tacla, El Pintor Que Piensa Demasiado
Maria Cristina, Caras, August 17, 2001 -
Dread Scott: Making Art and Revolution
By Michael Slate, Revolutionary WorkerJune 17, 2001 -
Before "Reality TV" There Was Reality Video
By Michael Rush, The New York TimesJanuary 21, 2001 -
Jorge Tacla
Chase Madur, ARTnews, January 1, 2001 -
Violence by Police As a Theme for Art
By David M. Herszenhorn, The New York TimesDecember 3, 2000 -
Pain and provocation in "Black and Blue"
By Judy Birke, New Haven RegisterNovember 12, 2000 -
Victor Burgin: Nietzsche’s Paris
By Jeremy Melvin, Architects' JournalNovember 2, 2000 -
Malia Jensen at PICA
By Pat Boas, ArtweekSeptember 1, 2000 -
Malia's 'Animalia'
By Jon Raymond, The OregonianJuly 23, 2000 -
Interview with Peter Campus
By John G. Hanhardt, BOMB MagazineJuly 1, 1999 -
Sudor y Sangre
Jose Zalaquett, Que Pasa, May 15, 1999 -
Mary Lucier: Floodsongs
By Sally Berger, MoMA MagazineMay 1, 1999 -
Jorge Tacla: Ordenador de Escombros
Paola Doberti, Capital, May 1, 1999 -
Dos Décadas de su Pintura
John Yau, Diseño, May 1, 1999 -
"La pintura no se entiende con explicaciones"
Que Pasa, April 24, 1999 -
Malia Jensen
By John Raymond, Plazm MagazineDecember 1, 1998 -
Los Paisajes de la Muerte
Pablo Villamizar, El Nacional, July 22, 1998 -
Tacla Busca La Esencia de las Cosas
Yasmín Monsalve, El Universal, July 17, 1998 -
Peter Campus
By Donald Kuspit, ArtforumMay 1, 1998 -
Raw Expression
James Auer, Milwaukee Journal Sentinel, February 3, 1998 -
Texture, Grace, and Drama: An Interview with Mary Lucier
Nicholas Drake, Sculpture Magazine, January 12, 1998 -
Walking the Plank
By Gilda Williams, Art MonthlyApril 1, 1997 -
Video Veteran
By Alan G. Artner, Chicago TribuneOctober 25, 1996 -
Tribute to Shows Linked to the Bronx
Vivien Raynor, The New York Times, May 26, 1996 -
Janet Biggs, Girls and Horses
By Howard Halle, Time Out New YorkMarch 20, 1996 -
Video/Media Culture of the Late Twentieth Century
By John G. Hanhardt and Maria Christina VillaseñorNovember 1, 1995 -
Mary Lucier
Jennifer P. Borum, Artforum, October 1, 1995 -
The Architecture of Image and Sound: Dwelling in the Work of Mary Lucier
Melinda Barlow , The Art Journal, September 15, 1995 -
Shigeko Kubota and Mary Lucier
By Mason Klein, FriezeSeptember 11, 1995 -
Sin Inocencia
Hector Solo, Paula, June 28, 1995 -
Jorge Tacla
Giacomino Pixi, Juliet, April 1, 1995 -
Jorge Tacla
Justin Spring, Artforum, March 1, 1994 -
Construye en el Lienzo
Marcela Garcia Machuca, El Norte, October 19, 1993 -
Jorge Tacla en el Museo de Monterrey
Monterrey Review, September 1, 1993 -
La Imágen Fragmentada
Elena Oliveras, Clarin, April 17, 1993 -
El chileno Jorge Tacla cree que en Nueva York hay "una preocupación por las debilidades humanas"
Julio Sánchez, La Maga, April 14, 1993 -
Un subjetivo intérprete del paisaje y una investigadora de sus medios
Aldo Galli, La Nación, April 8, 1993 -
Memories of War and Oppression Color Two Shows in the Bronx
William Zimmer, The New York Times, December 6, 1992 -
Jorge Tacla
Donald Kuspit, Artforum, October 1, 1992 -
Weekend: Mary Lucier
John Russell, The New York Times, November 10, 1989 -
Defining an Art Form
By Erika Suderberg, ArtweekFebruary 20, 1988 -
Moving Pictures and "Planes of Memory"
By Christopher Knight, Los Angeles Herald ExaminerFebruary 14, 1988 -
'Wilderness' at the Neuberger
By William Zimmer, The New York TimesMay 31, 1987 -
Painting from Under the Volcano
By Susana Torruella Level, ARTnewsMarch 1, 1985 -
Mary Lucier: Chase Manhattan Plaza
By Charles Hagan, ArtforumJuly 1, 1984 -
Video Work on Different Wavelengths
By Grace Glueck, The New York TimesFebruary 26, 1984 -
Why The Latest Whitney Biennial is More Satisfying
John Russell, The New York Times, March 25, 1983 -
Judy Pfaff
By Richard Armstrong, ArtforumMarch 1, 1983 -
Situation Esthetics: Impermanent Art and the Seventies Audience
By Nancy Foote, ArtforumJanuary 1, 1980 -
Mary Lucier: The Kitchen
By Richard Lober, ArtforumSeptember 1, 1978 -
The Ins and Outs of Video
By Jeff Perrone, ArtforumJune 1, 1976 -
Beyond Flashing Lights
By Mike Steele, ARTnewsDecember 1, 1974 -
Reviews and Previews: peter campus
By Gerrit Henry, ARTnewsNovember 1, 1973 -
Fields: peter campus
By Bruce Kurtz, Arts MagazineMay 30, 1973 -
Museum and Gallery Review: peter campus – Bykert
By Rosemary Mayer, Arts MagazineDecember 30, 1972 -
Video is Being Invented
By Bruce Kurtz, Arts MagazineDecember 1, 1972
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