Victor Burgin British, b. 1941
12.7 x 20.3 cm
Further images
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Exhibitions
London, Institute of Contemporary Arts, When Attitudes Become Form, August 28 – September 27, 1969.
New York, Solomon R. Guggenheim Museum, Guggenheim International Exhibition 1971, February 12 – April 25, 1971, exh. cat.
Cambridge, Kettle’s Yard and Edinburgh, Fruitmarket Gallery, 1965-1972: When Attitudes Became Form, 1984-1985.
Art Institute of Chicago, Light Years: Conceptual Art and the Photograph, 1964-1977, 2012.
New York, Cristin Tierney Gallery, Photopath, January 20 – March 4, 2023.
Literature
V. Burgin, “Situational aesthetics,” Studio International, October 1969, pp. 118-121.
Solomon R. Guggenheim Museum, Guggenheim International Exhibition 1971, New York, 1971.
J. Monte, "Looking at the Guggenheim International," Artforum, March 1971, p. 28.
V. Burgin, "Margin Note", The New Art, London 1972, pp. 74-78.
V. Burgin, "Margin Note", A Survey of the Avant-Garde, London, 1972.
V. Burgin, "The Absence of Presence: Conceptualism and Post-modernisms", 1965 to 1972 - when attitudes became form, 1984.
V. Burgin, "A Note on Minnesota Abstract", New Art - An International Survey, 1991.
V. Burgin, Passages, Lile, 1991.
Fundació Antoni Tàpies, Victor Burgin: una exposición reprospectiva, Barcelona, 2001.
J. Slyce, “Victor Burgin," Art Monthly, June 2001, pp. 28-29.
S. Bann, P. Osborne, and F. Parfait, eds., Relocating: Victor Burgin, Bristol, 2002, p. 16.
D. Campany, Art and Photography, London, 2003.
V. Burgin, "'Medium' and 'Specificity'", Photography Theory, New York, 2006.
Skira, Victor Burgin: Components of Practice, Milan, 2008, pp. 43-45 (illustrated).
V. Burgin, Parallel Texts: Essays and interventions about art, London, 2011.
M. Witkovsky, ed., Light Years: Conceptual Art and the Photograph 1964 - 1977, Chicago and New Haven, 2011, pp. 21-22, 25, 55 (illustrated), 58.
D. Campany, “Interview with Victor Burgin, Source 72, Autumn 2012, p. 13-14.
D. R. Quiles, “Conceptual Art and the Photograph, 1967-1977,” Burlington, March 2012, pp. 226-227.
D. Campany, "Other Criteria," Frieze, May 2013, p. 207 (illustrated).
D. N. Rodowick, “The Unnameable (In Three Movements),” in Projective Essays About the Work of Musée d’Art Moderne et Contemporain, Victor Burgin, Genève, 2014, pp. 11, 12 (illustrated), 13, 35.
D. Campany, “Victor Burgin and David Company in conversation,” in Projective Essays About the Work of Victor Burgin, Musée d”Art Moderne et Contemporain, Genève, 2014, pp. 133, 141.
A. Kitnick, "Victor Burgin," 4Columns, September 30, 2016.
D. Campany, “Victor Burgin," So present, so invisible. Conversations on Photography, Contrasto, Rome, 2018, pp. 171, 174 (illustrated), 179, 188.
A. Streitberger, Psychical Realism: The Work of Victor Burgin, Leuven, 2020, pp. 29 (illustrated), 30 (sketch illustrated), 31.
D. Campany, Victor Burgin’s Photopath, London, 2022.
L. Rexer, “Victor Burgin Revisits Photopath,” Photograph, January 3, 2023.
T. Dafoe, "Victor Burgin's 'Photopath' Unlocked Multi-Dimensionality in Photography 50 Years Ago. Now, the Work Is Resurfacing in New York," Artnet, January 20, 2023.
H. Pardee, "Victor Burgin: Photopath," The Brooklyn Rail, February 2023.
Z. Hatfield, "Victor Burgin," Artforum, February 8, 2023.
L. Knoblauch, “Victor Burgin: Photopath at Cristin Tierney," Collector Daily, February 14, 2023.
W. Zhao, “Exhibition Review: Victor Burgin | Photopath," Musée Magazine, February 14, 2023.
J. Welling, "Victor Burgin: Photopath," The Brooklyn Rail, March 4, 2023.
B. Carey, "Museum of Nonvisible Art: Victor Burgin," Yale Radio, March 15, 2023.