Melanie Baker, Dionysus, 2015. graphite and charcoal. 22 x 30 inches (55.9 x 76.2 cm).

Melanie Baker, Centralia, 2015. charcoal, graphite dust, and pigment. 82 1/2 x 17 3/4 inches (209.6 x 45.1 cm).

Peter Campus, Double Vision, 1971. digitized video from original materials. 14:22 minutes. open edition.

Peter Campus, Dynamic Field Series, 1971. digitized video from original materials. 23:42 minutes. open edition.

Elise Ferguson, Omega, 2015. pigmented plaster on paper. 12 x 12 inches (30.5 x 30.5 cm).

Elise Ferguson, Night Trees, 2009. pigmented plaster on mdf. 18 x 18 inches (45.7 x 45.7 cm).

Elise Ferguson, Hex.AY.1, 2015. pigmented plaster on paper. 14 x 11 inches (35.6 x 27.9 cm).

Elise Ferguson, Hex.AY.2, 2015. pigmented plaster on paper. 14 x 11 inches (35.6 x 27.9 cm).

Elise Ferguson, Hex.AY.3, 2015. pigmented plaster on paper. 14 x 11 inches (35.6 x 27.9 cm).

Elise Ferguson, Hex.AY.4, 2015. pigmented plaster on paper. 14 x 11 inches (35.6 x 27.9 cm).

Elise Ferguson, Hex.AY.5, 2015. pigmented plaster on paper. 14 x 11 inches (35.6 x 27.9 cm).

Elise Ferguson, Hex.AY.6, 2015. pigmented plaster on paper. 14 x 11 inches (35.6 x 27.9 cm).

Joe Fig, The Salon of Newcomers, 1868, 2010. oil on linen. 34 x 50 inches (86.4 x 127 cm).

Richard Galpin, Brace II (CIty Gate), 2011. excised photograph, framed. 37.4 x 43.11 inches (95 x 109.5 cm). Framed: 42.5 x 48.2 x 1.8 inches (108 x 122.5 x 4.5 cm).

Alois Kronschlaeger, Black Triangle, 2016. basswood, ink. 47 x 53 x 11 1/2 inches (119.4 x 134.6 x 29.2 cm).

Alois Kronschlaeger, Stainless Steel Cube (4 Space, Diagonal Axis), 2015. stainless steel. 10 3/4 x 10 3/4 x 10 3/4 inches (27.3 x 27.3 x 27.3 cm). edition 2 of 9.

Lina López and François Bucher, Le Temps Qui Reste, 2015-2016. digital photograph, glasses, 2 Kern Paillard lenses, glass box. Dimensions variable. edition 2 of 5.

Lina López and François Bucher, Le Temps Qui Reste, 2015-2016. digital photograph, glasses, 2 Kern Paillard lenses, glass box. Dimensions variable. edition 2 of 5.

Lina López and François Bucher, Le Temps Qui Reste, 2015-2016. digital photograph, glasses, 2 Kern Paillard lenses, glass box. Dimensions variable. edition 2 of 5.

Jennifer Marman and Daniel Borins, Study for Input Output, 2013. oilstick and acrylic on canvas. 36 x 36 inches (91.4  x 91.4 cm).

Jennifer Marman and Daniel Borins, Input Output 01, 2013. acrylic on canvas. 36 x 36 inches (91.4 x 91.4 cm).

Jennifer Marman and Daniel Borins, Dark Frag 07, 2014. acrylic on archival gesso board. 24 x 24 inches (61 x 61 cm). Framed: 25 x 25 inches (63.5 x 63.5 cm).

Jean Shin, Clothesline, 2003-2016. cut fabric (shirt remnants) and thread. approximately 48 x 132 inches (121.9 x 335.3 cm).

Jorge Tacla, Identidad Oculta 118, 2015. oil and cold wax on canvas. 13 x 16 inches (33 x 40.6 cm).

Francisco Ugarte, Paper Sculpture, 2013-2016. Bockingford paper and letter size bond paper. 39.4 x 59.1 inches (100 x 150 cm). Other edition illustrated. edition 3 of 3.

Francisco Ugarte, Untitled (Paint and Corner), 2016. black paint. Dimensions variable. edition 1 of 3.

ZONA MACO 2016

Booth E-210

February 3-7, 2016

Cristin Tierney Gallery is thrilled to be presenting at ZONA MACO in Mexico City. Visit us in Booth E-210 from February 3rd through the 7th, where we will showcase contemporary artworks that deliberately restrict themselves to black and white. This limited palette is not only a key formal element, but also a connection to a broader history of visual culture, which includes mid-century photography, media, and advertising, Old Master grisaille traditions, and more. Participating artists include Peter Campus, Alois Kronschlaeger, Jennifer Marman and Daniel Borins, and Francisco Ugarte.

 

For more information please contact Candace Moeller at +1.212.594.0550 or candace@cristintierney.com.