Over the past thirty years Victor Burgin’s work has established him as both a highly influential artist and a renowned theorist of the still and moving image. Burgin first came to prominence in the late 1960s as one of the originators of Conceptual Art. In the 1970s his work consisted mainly of large framed photographic sequences, involving printed texts either juxtaposed with or superimposed on the image. At the beginning of the 1990s he turned towards digital video, but video from the point-of-view of photography--for example, Burgin is particularly interested in the relation between stasis and movement.
He graduated from the School of Painting at the Royal College of Art, London, in 1965, and then went on to study Philosophy and Fine Art at Yale University School of Art and Architecture, where his teachers included Robert Morris and Donald Judd. Burgin is Professor Emeritus of History of Consciousness at the University of California, Santa Cruz and Emeritus Millard Chair of Fine Art at Goldsmiths College, London. He was recently a Mellon Fellow and Visiting Professor in the Department of Cinema and Media Studies at the University of Chicago, where he produced Prairie for the Chicago Architecture Biennial. He lives and works in Gascony and Paris.